![]() Armstrong also pioneered “scat singing,” in which a singer improvises nonsense syllables while imitating the sound of a horn or other instrument.Ĭalloway was a huge star in the ‘30s and ‘40s, entertaining thousands on the radio, in movies, and live performances at historic clubs such as the Cotton Club. Both Leadbelly and Monroe thought highly enough of cannabis to refer to it in their songs.Įarly Jazz’ biggest star, Louis Armstrong smoked cannabis at every recording session, and also found it helpful to calm his anxiety. Around the same time, artists such as Bill Monroe was developing a sound that would become Bluegrass. For the plantation owners, it was used to keep the slaves placid and content, while the slaves used it and liquor to both escape their circumstances and to inspire them as a new genre of music, Delta Blues, emerged from the region. ![]() Let’s look at some of music’s most significant movers and shakers when it comes to cannabis:Ĭannabis was used and enjoyed by both the slaves and plantation owners of the 19th Century American South. More recently, it has been revealed to be one of the primary tools in the arsenal of many of today’s most popular musicians. Obviously, it changes the way we perceive ear space in music.”Ĭannabis has been in use for more than 4000 years, and it is fair to assume that it had its place in the performing of music during this time. It doesn't change the music it doesn't change the ear functioning. That means you are more able to absorb, to focus on something, and to have a bit of a broader spectrum. This largely occurs in the high-level neural circuits, especially the frontal lobes.” Jörg Fachner, a professor of music, health and the brain at Anglia Ruskin University in Cambridge, UK, explaining the relationship between marijuana and music, had this to say: “Marijuana works like a psycho-acoustic enhancer. The creativity of these solos expanded rapidly due to what Professor David Nutt, a neurological researcher at Imperial College London, explains as follows: "Cannabis seems to break down rigid ways of thinking and feeling, so it allows new insights and approaches to art. ![]() If cannabis was involved, as it usually was, the effect of the inner clock being sped up relative to actual time outside the body (as discussed in the last article) the musician felt as though they could play more notes, or more expressively, than if they had not inhaled some “reefer.”Īs jazz developed, these departures from notated music developed into solos, and the format of jazz standards evolved in which there was a melody played over a series of chord changes (called the “head”) and each member of the band would have a verse (or several) over which they would improvise, or solo. In early jazz, this often meant that the musicians simply improvised, and the improvisations were frequently dazzling. Part of this is linked to the known suppression of short-term memory, and the result of this while performing music is that a musician might forget what they are playing. One key finding in research that keeps coming up is the way cannabis encourages people to be in the present moment. This article is a follow-up, with more information and a look at some musicians who have not only used cannabis but advocated for its legal use and referred to it in their music. ![]() Recently we published an article about the relationship between cannabis and music.
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